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琳娜·海蒂,理查德·詹金斯,米歇尔·邓肯,乌尔里奇·汤姆森,梅尔维尔·珀波,阿斯尔·纽曼哆啦A梦:新·大雄的海底鬼岩城
水田山葵,大原惠美,嘉数由美,木村昴,关智一,千叶翔也,广桥凉,平爱梨,平子祐希,酒井健太终端
玛格特·罗比,西蒙·佩吉,德克斯特·弗莱彻,麦克·梅尔斯,马克斯·艾恩斯,卡塔莉娜·凯斯,尼克·莫兰,Les Loveday,卓丹·邓,马修·刘易斯,托马斯·图尔格斯,杰伊·辛普森,罗伯特·古德曼,保罗·雷诺兹地下室居民
玛利亚·埃沃利,Vanesa Restrepo,卡拉·雅道尔假面复仇
Marco Giallini,Edoardo Leo,Catrinel Marlon马拉加街夕阳红
卡门·毛拉,玛尔塔·埃图拉,艾哈迈德·布拉内,玛利亚·阿尔方萨·罗索,米格尔·加尔塞斯,拉·伊门阿特拉斯耸耸肩3
克里斯托弗·普拉哈,劳拉·里根,乔昆姆·德·阿尔梅达,艾瑞克·阿兰·克拉默,罗伯·莫洛同系列推荐
魔镜咒
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia蒙上你的眼:逃出巴塞罗那
乔治娜·坎贝尔,马里奥·卡萨斯,迭戈·卡尔瓦,米歇尔·珍娜,莱昂纳多·斯巴拉格利亚,洛拉·杜埃尼亚斯,帕特里克·克里亚多,Alejandra Howard,西莉亚·费杰罗,Naila Schuberth,冈扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿达,Brian Lehane,Gerard Oms剩餐
卡洛斯·卡瓦略,劳拉·让·马什,Sumit Chakravarti,Eleonora Cucciarelli,Alvaro Flores,Shun Yin谎言与偷窃
艾米丽·拉塔科斯基,西奥·詹姆斯,弗雷德·迈拉麦德,艾邦·摩斯-巴克拉赫,小伊塞亚·维特洛克,伊万·汉德勒,约翰·盖汀斯杀出银河系
Edward Albert黑色黄金
Magui Bravi,Roly Serrano,Agustin Olcese,Evelyn Gasser,Griselda Rapi幕后花絮
塘鹅暗杀令
两名高等法院的法官遭杀手谋杀,法学院高材生达比(朱莉娅•罗伯茨 Julia Roberts 饰)随后开始调查此案,起草一份该案的报告,名为《塘鹅报告》。达比找到了记者格兰(丹泽尔•华盛顿 Denzel Washington 饰),因为他是最后一名见到其中一名法官的人,希望能得到他的帮助调查此案。一天格兰接到了一个神秘人来电,此人自称知道谁是该案凶手,格兰跟踪到了此人,可惜未能拦下他。 此时,总统暗中命令相关人士不要插手此案。格兰由此起疑,随后调查到了总统和马氏集团关系密切,而且一切证据都表明,马氏与两位法官的死有着千丝万缕的关系!
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.